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© Naturproduktion Bengt Hedberg / Last modified: 2011-12-29
     
 

The philosophy behind my wide pictorial language

 
 

© Bengt Hedberg
View at Padjelanta national Park, Sweden (made from 9 photographs)

I´ve always been fascinated by moving or, rather, variable images. When I was young I was enthralled by Cinemascope. In fact, the movements of my own head and eyes across the screen became a film within the film.
While I was still in my teens, I abandoned the idea of film as a mode of expression. The technology available at that time made it much too expensive to achieve what I wanted. If only the modern video camera had existed then!
What I try to do in my pictures is to maintain a relationship with actual reality, I´v never been one for pulling an image apart into small pieces or distorting what the camera has recorded. I do, however, use the computer as a normal part of my creative work.
I believe in the power of images that sound a chord of recognition and have an interrelated content. Without that, my wide images would easily become fragmentised, and I´d lose the exciting film camera-like movement across the surface of the image. I don´t mind colleagues, but they should at least let the individual image record things that are physically connected!
In a sense, I´m contradicting myself. After all, a digital image is precisely that - a collage - a gigantic mosaic of ones and zeros. And modern computer technology makes it very tempting to juggle the pieces. But I don´t think that we humans can broadcast our creative seeds as well as Mother Nature.
Bengt Hedberg :-)